And whatever troubled him and showed in his face might have been the same old trouble – the problem of occupying space in the world and having a name people could call you by, being somebody they thought they could know – Aldous Huxley, Brave New World

And whatever troubled him and showed in his face might have been the same old trouble - the problem of occupying space in the world and having a name people could call you by, being somebody they thought they could know - Aldous Huxley, Brave New World

And whatever troubled him and showed in his face might have been the same old trouble – the problem of occupying space in the world and having a name people could call you by, being somebody they thought they could know – Aldous Huxley, Brave New World.

She and Naomi had joked about the sexuality of camera apertures, that they needed to write a woman’s monograph on the symbolism and cultural relevance of the mechanics of image-making as it related to sex, so that, for example, stopping down the fixed 35mm lens’s diaphragm – elegantly composed of nine shutter-leaf blades – to a tight f/16 would be the equivalent of a Kegel pelvic floor exercise

She and Naomi had joked about the sexuality of camera apertures, that they needed to write a woman’s monograph on the symbolism and cultural relevance of the mechanics of image-making as it related to sex, so that, for example, stopping down the fixed 35mm lens’s diaphragm – elegantly composed of nine shutter-leaf blades – to a tight f/16 would be the equivalent of a Kegel pelvic floor exercise

She and Naomi had joked about the sexuality of camera apertures, that they needed to write a woman’s monograph on the symbolism and cultural relevance of the mechanics of image-making as it related to sex, so that, for example, stopping down the fixed 35mm lens’s diaphragm – elegantly composed of nine shutter-leaf blades – to a tight f/16 would be the equivalent of a Kegel pelvic floor exercise (David Cronenberg, Consumed)